Дивовижна мистецька книга, яка розкриває невідоме обличчя Відродження та захоплення монстрами

Ієронім Босх відомий у всьому світі як художник, який малює жахливих створінь і фантастичні сцени, що здаються результатом мрійливих видінь. Його слава почалася не в Нідерландах, де народився художник, а в південній Європі XVI століття, де в мистецтві домінували теми та стилі, типові для ренесансного класицизму, дуже далекі від тих фламандського художника.

Ця книга, окрім представлення Босха, має на меті проілюструвати успіх його мистецтва у вищих суспільствах Італії, Іспанії та Америки в період між 16-м і початком 17-го століть, особливо звертаючись до тенденцій колекціонування того часу в цих двох країнах, де роботи Босха та його послідовників користувалися великим попитом (іспанські Габсбурги, Грімані у Венеції тощо). Ці роботи, у свою чергу, надихнули велику кількість художників, креслярів, граверів та інших видатних митців, у тому числі його наступника, відомого Брейгеля Старшого.

Таким чином книга проливає нове та дивовижне світло на особливий «Ренесанс», який завжди залишався в тіні порівняно з класицизмом Рафаеля, Тиціана та Парміджаніно, але який насправді мав сильний мистецький і культурний вплив у різних частинах Європи, часто з гротескними або «антикласичними» виразами, такими як цикл гобеленів Босха в Ескоріалі, картини таких майстрів, як Тіціан та Ель. Греко, роботи таких граверів, як Джорджо Гізі, скульпторів і декораторів, як-от Бернардо Буонталенті, і, нарешті, культура Вундеркамери.

Про авторів:

Бернард Айкема, автор і співредактор, є професором історії сучасного мистецтва в Університеті Верони та великим знавцем мистецьких відносин між європейськими країнами в сучасну епоху.Фернандо Чека Кремадес, автор і співредактор, історик мистецтва та колишній директор музею Прадо в Мадриді. Нариси написали Жоакім Олівейра Каетано (Португалія), Джульєтт Фердинанд (Італія), Томас Далла Коста (Італія), Джулія Занон (Італія), Клаудіо Салсі (Італія), Паула Фіндлен (Сполучені Штати), Ральф Деконінк (Бельгія), Девід Загурі (Швейцарія), Флоріке Егмонд (Нідерланди), Даан ван Хіш (Бельгія), Конча Ерреро (Іспанія), Ноелія Гарсіа Перес (Іспанія) і Бертрам Кашек (Німеччина).

Although Bosch's known works amount to no more than two dozen paintings and a handful of drawings, the artist had an enormous impact on religious imagery during his lifetime and for centuries afterward. His enigmatic and mind-bending depictions of humans, animals, and nature undoubtedly influenced the surrealist movement of the 20th century. This book explores Bosch's works in terms of medieval morality, the religious beliefs of his time, and the Northern Renaissance in general. This elegant volume offers exquisite, full-colour reproductions that afford readers the opportunity to linger over the works-amazing details. The accompanying text examines Bosch's singular place in the canon of Western art, as a revolutionary portrayer of the imagination, and as a pioneer in the depiction of heaven and hell.

Part of an exciting series of sturdy, square-box 1000-piece jigsaw puzzles, featuring powerful and popular works of art. This new jigsaw will satisfy your need for a challenge, featuring Hieronymus Bosch: Garden of Earthly Delights. Intended for adults and children over 13 years. Not suitable for children under 3 years due to small parts.

Four hundred little people frolic au naturel with overgrown songbirds and raspberries; a pudgy blue demon serenades a fashionable young couple with a tune piped through his own elongated nose; a knife-wielding set of disembodied ears stalks the damned through hell.

The phantasmagoric imagery of Hieronymus Bosch (d. 1516) has been the source of widespread interest ever since the painter’s lifetime, and is still so enigmatic that scholars have theorized that it contains hidden astrological, alchemical, or even heretical meanings. Yet none of these theories has ever seemed to provide an adequate understanding of Bosch’s work. Moreover, the considerable professional success that the artist enjoyed in his native Hertogenbosch, not to mention his membership in a traditional religious organization, suggests that he pursued not a sinister secret agenda but simply his personal artistic vision.

This intriguing new monograph by noted art historian Larry Silver interprets that artistic vision with admirable lucidity: it explains how Bosch’s understanding of human sin, morality, and punishment, which was conceived in an era of powerful apocalyptic expectation, shaped his dramatic visualizations of hell and of the temptations of even the most steadfast saints. Silver’s account of Bosch’s artistic development is one of the first to benefit from recent technical investigations of the paintings, as well as from the reexamination of the artist’s drawings in relation to his paintings.

Hieronymus Bosch is also unique in how securely it places its subject’s work in the broader history of painting in the Low Countries: Silver identifies sources of Bosch’s iconography in a wide range of fifteenth-century panel paintings, manuscript illuminations, and prints, and describes how, despite their own religiousness, Bosch’s pictures helped inspire the secular landscape and genre scenes of later Netherlandish painters. Augmented by 310 illustrations, most in color, including many dramatic close-ups of Bosch’s intricately imagined nightmare scenes, this is the definitive book on a perennially fascinating artist.

About the Author:

Larry Silver, a historian of Northern Renaissance art, received his Ph.D. from Harvard University and is currently Farquhar Professor of Art History at the University of Pennsylvania. His other books include the general survey Art in History and the recent Landscapes and Peasant Scenes: The Rise of Pictorial Genres in the Antwerp Art Market.

Serenity and tactility have determined the design practice of Alexis Herbosch for 20 years. They form a fil rouge throughout his life and this monograph. They are virtues that are undervalued today. What we see are pure forms and a simple mise-en-scène. We feel nature as our guide, observe the defining light and experience the power of the environment. Like a true master, he chooses the right elements to define an experience. From these, spaces grow that smile at all the senses. The use of natural and regional materials is striking. Think of a script of Boom tiles over old plank floors to limed walls. Stripped of all excess and inspired by the art of Nordic well-being, Alexis captures the essence of the good life in his growing oeuvre. His sober lines and controlled layout are his foundations. He combines a savoir-vivre with his savoir-faire.

_The first monograph for this exceptional Belgian architecture and design practice, specialising in timeless country houses and authentic renovations
_Text in English and Dutch

Renaissance radical. The haunting visions of Hieronymus Bosch

Only 20 paintings and eight drawings are confidently assigned to Netherlandish painter Hieronymus Bosch (c. 1450–1516) but in their fantastical visions they have secured his place as one of the most cult artists in history. 500 years on from his death, his works continue to inspire scholars, artists, designers, and musicians, death metal band names and designer dresses.

This edition offers the complete and haunting Bosch world in one compact format. Through full spreads and carefully curated details, we explore the full reach and compelling inventions of the artist’s genius as well as disturbing imagination. We encounter his hybrid creatures, his nightmarish scenarios, his religious and moral framework, and his pictorial versions of contemporary proverbs and idioms. Along the way, art historian and Bosch expert Stefan Fischer reveals the most important themes and influences in these cryptic, mesmerizing masterpieces.

The author:

Stefan Fischer studied art history, history, and classical archaeology in Münster, Amsterdam, and Bonn. In 2009 he completed his doctoral thesis “Hieronymus Bosch: Malerei als Vision, Lehrbild und Kunstwerk.” His specialist fields are Netherlandish painting of the 15th to the 17th centuries and museology.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Devil in the Details. The complete works of Hieronymus Bosch

An exhaustive exploration of one of art history’s most mysterious masters, Hieronymus Bosch. This monograph, based on the XXL edition which saw TASCHEN commission new photography of recently restored works, unravels his oeuvre through accessible texts, a special chapter on The Garden of Earthly Delights, a fold-out of The Last Judgment, and details reproduced so impeccably that they become paintings in themselves.

A bird-monster devouring sinners, naked bodies in tantric contortions, a pair of ears brandishing a sharpened blade: with just 20 paintings and nine drawings to his name, Netherlandish visionary Hieronymus Bosch (c. 1450–1516) secured his place as a pillar of art history. To this day, the painter par excellence of hell and its demons continues to puzzle and enthrall scholars, artists, designers, and musicians alike.

Based on the best-selling XXL edition, which saw TASCHEN commission new and exclusive photography of details and recently restored works, this large-scale monograph presents Bosch’s complete oeuvre. Texts from art historian and Bosch expert Stefan Fischer dissect the many compelling elements that populate each scene, from hybrid creatures of man and beast to Bosch’s pictorial use of proverbs and idioms. By tying together the elusive threads of his oeuvre into one exhaustive overview, this book reveals just what it was about Bosch and his painting that proved so immensely influential.

Features:​

-  Impeccable full-page reproductions celebrating the artist’s staggering compositional scope
-  Enlarged details unveiling the most intricate and bizarre scenes as much as the unsuspected technical minutiae, from subtle brush-strokes to the grain of the canvas
-  A fold-out spread drawn from the legendary Last Judgement
-  A special chapter focusing on Bosch’s most famous work, the mesmerizing and terrifying triptych The Garden of Earthly Delights

The author:

Stefan Fischer studied art history, history, and classical archaeology in Münster, Amsterdam, and Bonn. In 2009 he completed his doctoral thesis “Hieronymus Bosch: Malerei als Vision, Lehrbild und Kunstwerk.” His specialist fields are Netherlandish painting of the 15th to the 17th centuries and museology.

Bosch lived and worked over 500 hundred years ago in the Netherlands’ town of ’s Hertogenbosch, from which he takes his name. He is best known for his fantastical, wondrous art full of strange creatures both grotesque and heavenly. The work he has left behind still defies the imagination. 

Taking account of the latest research, Hieronymus Bosch: Masterpieces of Art gives an overview of what is known of this elusive painter and draughtsman, and reproduces his (and some of his followers’) impressive work, from traditional Biblical stories with a Boschian twist, such as the Adoration of the Magi, to his apocalyptic Four Visions of the Hereafter. His diptychs and triptychs, such as the famously complex Garden of Earthly Delights are covered as well as his stunning line drawings, such as The Wood Has Ears, The Field Has Eyes.

Curate your home: Print Set Bosch

This inspiring print set offers sixteen designs to transform a blank wall into a personalized display. Each set of sixteen images has been specially selected from the TASCHEN collection as the most loved, and most interesting, examples of Bosch's work. 

The prints are packaged in a sturdy cardboard box and are suitable either for framing or as a poster.

Hieronymus Bosch (1450–1516) is, without any doubt, one of the most famous artists in the history of Netherlandish painting

This book explores his best-known paintings and drawings, showing them as never before in stunning, full-page details. It is organized by characteristic themes in Bosch’s work, such as faces, heaven and hell, the four elements, landscapes, and creatures both fantastic and monstrous. Readers are treated to an exceptional view of masterpieces like The Garden of Earthly Delights, The Haywain Triptych, The Temptation of St Anthony and The Seven Deadly Sins.

Till-Holger Borchert, Director of the Bruges Museums and an expert on Netherlandish art, guides us through the painter’s oeuvre in clear and accessible language, and from less familiar and surprising angles.

A richly illustrated book, reproducing all of Bosch’s masterpieces held by the Prado museum

The Museum houses the largest known collection of works by Jheronimus Bosch. Among its holdings are The Adoration of the Magi and The Garden of Earthly Delights triptychs, as well as the original of The Haywain, making it the ‘home of Bosch’ and the perfect institution to hold a major exhibition marking the quincentenary of the artist’s death. This magnificent book reproduces these masterpieces and other recently cleaned and restored paintings, and reveals hitherto unknown facets of Bosch’s art.

A distinguished team of Bosch scholars contribute to the volume. Pilar Silva Maroto’s essay presents an updated biography of Bosch and his family, and includes all the surviving documents dating from his lifetime. It also locates the artist in the context of his home town, Hertogenbosch, and offers an in-depth appreciation of his status as a painter and draughtsman. Eric De Bruyn considers Bosch’s sources in texts and images; Paul Vandenbroeck, his values and ideology; and Larry Silver, the sins and their punishment, a fundamental theme in the artist’s work.

Finally, there is a ‘conversation’ between Reindert Falkenburg and The Garden of Earthly Delights triptych, and a reflection by Fernando Checa on the reception of Bosch at the Habsburg court in Flanders and in Spain in the 16th century. The catalogue entries for the paintings belonging to the Prado collection discuss the findings of recent technical research carried out specifically for the exhibition, which has shed new light on these works.

Renaissance radical. The haunting visions of Hieronymus Bosch

Take home one of the most cult artists in history with this handy Bibliotheca Universalis edition, presenting all known works of Hieronymus Bosch. Through full spreads and carefully curated details, the book surveys the artist’s compositional scope as well as his most compelling, if disturbing, inventions, from horse-skulled harp players to devils on ice skates.

Only 20 paintings and eight drawings are confidently assigned to Netherlandish painter Hieronymus Bosch (c. 1450–1516) but in their fantastical visions, they have secured his place as one of the most cult artists in history. 500 years on from his death, his works continue to inspire scholars, artists, designers, and musicians, death metal band names and designer dresses.

This Bibliotheca Universalis edition offers the complete and haunting Bosch world in one compact format. Through full spreads and carefully curated details, we explore the full reach and compelling inventions of the artist’s genius as well as disturbing imagination. We encounter his hybrid creatures, his nightmarish scenarios, his religious and moral framework, and his pictorial versions of contemporary proverbs and idioms. Along the way, art historian and Bosch expert Stefan Fischer reveals the most important themes and influences in these cryptic, mesmerizing masterpieces.

About the Author:

Stefan Fischer studied art history, history, and classical archaeology in Münster, Amsterdam, and Bonn. In 2009 he completed his doctoral thesis “Hieronymus Bosch: Malerei als Vision, Lehrbild und Kunstwerk.” His specialist fields are Netherlandish painting of the 15th to the 17th centuries and museology.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Devil in the details. The symbols, monsters, and morals of a Netherlandish radical

A bird-monster devouring sinners, naked bodies in tantric contortions, a pair of ears brandishing a sharpened blade: with nightmarish details and fantastical painterly schemes, Netherlandish visionary Hieronymus Bosch (c. 1450–1516) secured his place as an art historical magnet. 500 years on from his death, his extraordinary works continue to enthrall scholars, artists, designers, and musicians.

This large-scale TASCHEN monograph presents the complete Bosch oeuvre, celebrating the artist’s staggering compositional scope and most bizarre and intricate details through full-page reproductions, abundant details, and a fold-out spread drawn from The Last Judgement. With guidance from art historian and Bosch expert Stefan Fischer, we explore the many compelling elements that populate each scene, from hybrid creatures of man and beast, to painterly assaults on the body, and a pictorial use of proverbs and idioms. Particular attention is given to Bosch’s most famous work, the mesmerizing, terrifying triptych The Garden of Earthly Delights.

Renaissance radical. An earthly delight not to be missed

In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Netherlandish painter Hieronymus Bosch (c. 1450–1516) was more than an anomaly. Bosch’s paintings are populated with grotesque scenes of fantastical creatures succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch’s day. In his Temptation of St Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression that the world was “skating on ice” — meaning it had gone astray. In his pictorial translation of proverbs, in particular, Bosch was very much an innovator.

Bosch — whose real name was Jheronimus van Aken — was widely copied and imitated: the number of surviving works by Bosch’s followers exceeds the master’s own production by more than tenfold. Today only 20 paintings and eight drawings are confidently assigned to Bosch’s oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares, and the painter par excellence of hell and its demons.

Featuring brand new photography of recently restored paintings, this exhaustive book, published in view of the upcoming 500th anniversary of Bosch’s death, covers the artist’s complete works. Discover Bosch’s pictorial inventions in splendid reproductions with copious details and a huge fold-out spread, over 110 cm long, of The Garden of Earthly Delights. Art historian and acknowledged Bosch expert Stefan Fischer examines just what it was about Bosch and his painting that proved so immensely influential.

The author:

Stefan Fischer studied art history, history and classical archaeology in Münster, Amsterdam and Bonn. In 2009 he completed his doctoral thesis on “Hieronymus Bosch: Malerei als Vision, Lehrbild und Kunstwerk”. His specialist fields are Netherlandish painting of the 15th to the 17th century and museology.

Five quality mountable prints in a full colour illustrated envelope.